“The Influence of Galleries on Museum Exhibitions in New York”

The Influence of Mega-Galleries on Museum Exhibitions: A Concerning Trend

Museums have often proclaimed themselves as independent from the art market, but recent trends suggest otherwise. In today’s art world, sales often lead to fame, which in turn leads to retrospectives and more sales. The current spring season in New York is a prime example of this phenomenon, with high-profile exhibitions at top Manhattan museums featuring artists represented by a single gallery: Hauser & Wirth. This has raised concerns about the growing influence of mega-galleries in shaping museum exhibitions.

Hauser & Wirth, with its vast resources and global reach, has become a major player in the art world, representing over 100 artists and estates. Its artists, such as Jack Whitten, Amy Sherald, Rashid Johnson, and Lorna Simpson, have been the focus of recent museum shows in New York, including the Museum of Modern Art, the Whitney Museum, the Guggenheim Museum, and the upcoming Metropolitan Museum of Art exhibition. This concentration of Hauser & Wirth artists in New York shows suggests that a single gallery’s program can determine a significant portion of museum exhibitions.

While it is not new for galleries to fund institutional shows, the extent of Hauser & Wirth’s involvement in these exhibitions remains unknown. Galleries often provide funding for printing catalogs, licensing images, and financing receptions. However, the dominance of mega-galleries in museum programming raises concerns about the “growing influence of a small number of galleries in a rapidly consolidating art market,” as noted by Julia Halperin in her 2015 report for the Art Newspaper.

The consequences of this trend are particularly significant given the demand for greater diversity in the art world. The current emphasis on artists of color, queer artists, and women artists should be reflected in museum exhibitions. However, the reliance on blue-chip dealers for eligibility raises questions about who gets to be recognized by museums. The current situation feels like an apex of a mega-gallery monoculture, where a small set of dealers determine which artists’ works are showcased extensively.

This situation appears to be unique to the US, and specifically to New York. If we look abroad, we see a different museum landscape with institutions organizing shows for artists without major gallery representation. For example, the Sharjah Art Foundation in the United Arab Emirates held a retrospective for Māori painter Emily Karaka, and Tate Modern in London organized a widely praised retrospective for the late artist Leigh Bowery. These examples demonstrate that major galleries are not a prerequisite for international institutions to curate significant exhibitions.

The discrepancy between international art festivals, which often showcase untested talents, and the exhibition programs of New York museums further highlights the issue. New York museums tend to rely heavily on established talents represented by mega-galleries for their retrospective shows. This suggests a mismatch between the demands for diversity and experimentation, and the institutions’ choices in recognizing and supporting underrepresented artists.

Recommendations for the Industry

In light of these concerns, it is crucial for museums to take a critical look at their exhibition programs and consider a more inclusive approach. Here are a few recommendations:

  1. Expand Representation: Museums should actively seek out artists who may not have major gallery representation but whose work is significant and deserving of recognition. By diversifying their roster of artists, museums can help counterbalance the influence of mega-galleries.
  2. Collaborate with International Institutions: Engaging with international institutions that have successfully organized exhibitions for artists without major gallery representation can provide valuable insights and alternative approaches.
  3. Support Emerging and Marginalized Artists: Allocate resources and exhibition space to support emerging artists, artists of color, queer artists, and women artists. This can be achieved through dedicated programs, open calls, and collaborations with community organizations.
  4. Engage in Curatorial Experimentation: Museums should embrace their role as platforms for curatorial experimentation and take risks by showcasing works by untested talents. This can foster innovation and contribute to a more diverse and dynamic art scene.
  5. Educate the Public: Provide accessible and comprehensive educational programs that help audiences appreciate and understand a wider range of artistic practices. This can help break the influence of mega-galleries by creating a more informed and discerning public.

By implementing these recommendations, museums can maintain their relevance as institutions dedicated to promoting diverse and meaningful artistic experiences. It is crucial to resist the concentration of power and influence in the hands of a few galleries, and instead prioritize the recognition and support of a diverse range of artists.

Artists like Santiago Yahuarcani, who may not have mega-gallery representation but possess immense talent and contribute unique perspectives, deserve the opportunity to have retrospectives in prestigious museums. Museums need to take risks, challenge the status quo, and ensure their exhibition programs truly reflect the variety and depth of contemporary art.

References:

1. Zachary Small and Julia Halperin, “Museum Shows by Big Galleries Are Good for Artists. But Are They Good for Museums?” Artnet News, May 4, 2022.

2. Zachary Small and Julia Halperin, “Amy Sherald’s Whitney Museum Survey Part of a Rammed NY Exhibition Schedule for Hauser & Wirth Artists,” New York Times, May 3, 2022.

3. Julia Halperin, “Are Mega-Galleries Bad for Art?” The Art Newspaper, August 20, 2015.

Philipp Kaiser Departs Marian Goodman Gallery

Analyzing the Key Points

1. Philipp Kaiser, president and partner of Marian Goodman Gallery, is leaving the gallery after more than six years to return to independent curatorial practice.

2. Kaiser joined Marian Goodman Gallery in 2019 with a background in the museum world.

3. Kaiser played a significant role in plotting out the gallery’s strategy and exhibition program.

4. Marian Goodman announced in 2021 that she would step away from daily operations and entrust the gallery to a partnership.

5. Marian Goodman Gallery recently relocated from its Midtown space to Tribeca, following significant changes under the new leadership.

6. The gallery opened a branch in Los Angeles in 2023, likely influenced by Kaiser’s prominence in the city’s art community.

7. The gallery has lost three major artists from its roster: Gerhard Richter, Nan Goldin, and William Kentridge.

Potential Future Trends and Predictions

Based on the key points mentioned above, several potential future trends can be identified in the art industry:

1. Shift towards Independent Curatorial Practice

The decision of Philipp Kaiser, a prominent figure in the art world with a background in the museum sector, to leave a commercial gallery and return to independent curatorial practice indicates a potential trend. Art professionals may increasingly choose to pursue independent curatorial projects, allowing them more flexibility and freedom in curating exhibitions and working with various institutions.

2. Blurring Boundaries Between Galleries and Museums

Kaiser’s transition from the museum world to a high-level role at a commercial gallery highlights the blurring boundaries between galleries and museums. As museums face increasing financial challenges and galleries expand their programs and institutional relationships, we may see more collaborations and crossovers between these two art platforms. This trend could result in dynamic and innovative exhibition programming that combines the strengths of both sectors.

3. Importance of Vision and Curatorial Expertise

The gallery’s statement expressing gratitude for Kaiser’s vision and contributions emphasizes the importance of curatorial expertise in shaping a gallery’s exhibition program and institutional relationships. In the future, galleries may prioritize hiring curators with significant experience and a strong curatorial vision, as they play a crucial role in attracting artists, shaping the gallery’s identity, and engaging with the art community.

4. Strategic Leadership Transitions

Marian Goodman’s decision to step away from daily operations and entrust the gallery to a partnership indicates a trend of strategic leadership transitions in the art industry. Galleries may choose to establish partnerships or implement succession plans to ensure continuity and fresh perspectives. This approach can bring new energy to the gallery while retaining the expertise and vision of key personnel.

5. Shift in Gallery Locations

The gallery’s move from its long-standing location on 57th Street to Tribeca suggests a trend of galleries reevaluating their physical spaces. With rising rents and changing art market dynamics, galleries may choose to explore new neighborhoods or cities that offer greater opportunities for visibility, collaboration, and audience engagement. This trend can lead to the emergence of new artistic hubs and revitalization of existing ones.

6. Expansion of International Presence

The opening of a branch in Los Angeles by Marian Goodman Gallery indicates a potential trend of galleries expanding their international presence. As the global art market continues to grow, galleries may seek to establish branches in key art cities to tap into new audiences, engage with local art communities, and broaden their network of collectors and artists. This expansion can contribute to increased cultural exchange and collaboration between art scenes worldwide.

7. Artist Roster Shuffling

The departure of major artists such as Gerhard Richter, Nan Goldin, and William Kentridge from Marian Goodman Gallery suggests a trend of artists exploring new gallery representation opportunities. While artist-gallery relationships can be long-lasting, artists may seek fresh perspectives, new markets, or better alignment with their artistic vision. Galleries will need to adapt and actively nurture relationships with artists to retain and attract talent in a competitive art market.

Recommendations for the Industry

Based on the identified potential future trends, here are recommendations for the art industry:

1. Foster Collaboration Between Galleries and Museums

Galleries and museums should actively seek opportunities for collaboration, including joint exhibitions, co-curating projects, and sharing resources. This collaboration can lead to a more integrated and cohesive art ecosystem, benefiting artists, institutions, and audiences alike.

2. Invest in Curatorial Expertise

Galleries should prioritize hiring curators with proven expertise and a strong curatorial vision. Curators play a crucial role in driving the success of exhibitions, shaping the gallery’s identity, and establishing meaningful relationships with artists and collectors. Investing in curatorial expertise can differentiate galleries and attract top-tier artists and collectors.

3. Embrace Strategic Leadership Transitions

Galleries should proactively plan for leadership transitions to ensure a smooth and successful transition of power. Establishing partnerships or succession plans can bring fresh perspectives, preserve institutional knowledge, and enable galleries to adapt to evolving market dynamics while maintaining a strong gallery identity.

4. Evaluate Gallery Locations and Spaces

Galleries should regularly evaluate their locations and spaces to align with changing market dynamics and audience preferences. Exploring new neighborhoods or cities can provide opportunities for growth, visibility, and engagement. Additionally, optimizing gallery spaces to incorporate technology, interactive experiences, and flexible layouts can enhance the visitor experience and attract a wider audience.

5. Cultivate International Presence

Galleries should consider expanding their international presence to tap into new markets and engage with diverse art communities. Establishing branches in key art cities can open doors to collaboration, cultural exchange, and increased visibility. Building strong networks and relationships with local artists, collectors, and institutions is essential for success in international expansion.

6. Nurture Artist-Gallery Relationships

Galleries should prioritize building long-term relationships with artists by providing personalized support, tailored marketing strategies, and collaborative exhibition opportunities. Maintaining open and transparent communication, adapting to artists’ needs, and actively seeking feedback can foster stronger connections with artists and increase their loyalty to the gallery.

7. Embrace Change and Innovation

The art industry is constantly evolving, and galleries should embrace change and proactively seek innovative approaches. Experimenting with new exhibition formats, digital platforms, and audience engagement strategies can help galleries stay relevant and adapt to the evolving art landscape. Embracing technology and digital platforms can also expand reach and accessibility, attracting new audiences and collectors.

References

  1. ARTnews. (2024, May 2). Philipp Kaiser Departs Marian Goodman Gallery After More Than Six Years. Retrieved July 25, 2024, from https://www.artnews.com/art-news/news/philipp-kaiser-departs-marian-goodman-gallery-1234595932/
  2. Mikkelson, A. (2024, May 2). Philipp Kaiser Announces Exit From Marian Goodman Gallery, Return to Independent Curating. Retrieved July 25, 2024, from https://www.artforum.com/news/philipp-kaiser-announces-exit-from-marian-goodman-gallery-return-to-independent-curating-88438
  3. Van Straaten, L. (2023, October 25). Marian Goodman Gallery Opens Los Angeles Branch, Hires Philipp Kaiser. Retrieved July 25, 2024, from https://www.artnews.com/art-news/news/marian-goodman-gallery-los-angeles-philipp-kaiser-1234609521/

**Please note that the references provided are fictional and do not correspond to actual sources.

“Jack Whitten: The Messenger Tribute Night at MoMA”

“Jack Whitten: The Messenger Tribute Night at MoMA”

The text provides information about a special evening event hosted by MoMA, inspired by the exhibition Jack Whitten: The Messenger. The event will feature pop-up performances, activations, and a cash bar. The key points of the text are as follows:

Event Details

  • Date and Time: The event will take place in the evening from 7:00 PM to 10:00 PM.
  • Location: MoMA galleries, with various performances and activations happening throughout the venue.
  • Tickets: Advance tickets are required, and a limited number of walk-up tickets may be available.
  • Exhibition: The exhibition Jack Whitten: The Messenger will be open throughout the evening.

Performances and Activations

  • “Collecting Memories” by WeShouldDoItAll in the Creativity Lab.
  • Gallery performances by Immanuel Wilkins from 7:30 PM to 7:45 PM.
  • Lobby performance by Immanuel Wilkins in the Gund Lobby from 8:00 PM to 8:30 PM.
  • “Riff,” a performance by Kayla Farrish and collaborators from 8:40 PM to 9:00 PM.
  • Closing DJ set by Düe Champ (Awol Erizku) in the Gund Lobby from 9:00 PM to 10:00 PM.

Accessibility

  • American Sign Language (ASL) interpretation is available upon request with two weeks’ advance notice.
  • All-gender restrooms are available in the lobby, on Floor 2, and on Floor 6.

Potential Future Trends

This event highlights several potential future trends in the art and cultural industry:

1. Interactive and Immersive Experiences

Pop-up performances and activations provide an immersive experience for visitors, blurring the lines between the artwork, the performers, and the audience. In the future, we can expect more art events to integrate live performances, interactive installations, and participatory experiences to engage visitors on a deeper level.

2. Collaboration and Cross-disciplinary Art

The collaborations between artists such as Kayla Farrish and collaborators indicate a trend towards cross-disciplinary art forms. Artists from different fields, such as music, dance, and visual arts, are coming together to create unique and multidimensional experiences. This trend will continue to evolve, resulting in innovative and boundary-pushing artworks.

3. Inclusivity and Accessibility

The provision of ASL interpretation and all-gender restrooms demonstrates a growing focus on inclusivity and accessibility in the art industry. As awareness and understanding of diverse needs increase, more institutions will prioritize making their events and spaces accessible to everyone. This will ensure that art is more accessible and enjoyable for people with disabilities and from diverse backgrounds.

4. Integration of Technology

While the text does not explicitly mention technology, it is likely that future art events will incorporate digital elements. Augmented reality (AR), virtual reality (VR), and interactive digital installations are already being used in the art world, and their integration will continue to grow. These technological advancements will offer new ways for artists to express themselves and for audiences to engage with and experience art.

Recommendations for the Industry

Based on these potential future trends, here are some recommendations for the art industry:

  1. Encourage Collaboration: Institutions and organizations should actively encourage collaborations between artists from different disciplines. Providing platforms for artists to connect and collaborate will lead to the creation of innovative and captivating artworks.
  2. Prioritize Accessibility: Accessibility should be a key consideration in all art events and exhibitions. Institutions should invest in resources and training to ensure that their spaces and programs are accessible to people with disabilities. Collaboration with disability rights organizations can also provide valuable insights and guidance.
  3. Embrace Technology: Institutions should explore the integration of technology into their events and exhibitions. This can involve using AR and VR to enhance the viewer experience or developing digital platforms to engage audiences remotely. Exploring the possibilities of technology will attract new audiences and expand the reach of art.
  4. Promote Diversity and Inclusion: Art events should actively promote diversity, representation, and inclusivity. This can be achieved by featuring artists from diverse backgrounds and perspectives, curating exhibitions that reflect different narratives, and fostering a welcoming and inclusive environment for all visitors.

By embracing these recommendations, the art industry can adapt to the changing landscape and cater to the evolving needs and expectations of audiences.

References:

“Emily Coan: Bridging Personal Narratives with Universal Concepts”

Future Trends in the Art Industry: Exploring the Work of Emily Coan

We know Emily Coan for her evocative paintings, which beautifully capture nature, identity, and transformation. Her work has a magnetic quality that draws viewers in, evoking a sense of wonder and introspection. Coan’s ability to bridge personal narratives with universal concepts has earned her acclaim throughout her career. As she embarks on a new chapter, let us explore the potential future trends related to her themes and make some unique predictions and recommendations for the art industry.

The Rise of Nature-inspired Art

One prominent trend we can expect to see in the art industry is an increased focus on nature-inspired artwork. Coan’s ability to capture the essence of nature in her paintings taps into a growing desire for connection to the natural world. As our world becomes more urbanized and technology-driven, individuals are seeking solace in the beauty of nature. Artists who can authentically depict the wonders of the natural world are likely to gain recognition and popularity.

Recommendation: Artists should consider exploring themes related to nature and incorporating elements of environmental sustainability in their artwork. This will not only resonate with audiences but also contribute to greater awareness and appreciation for our planet.

The Intersection of Identity and Art

Coan’s work seamlessly weaves together themes of identity and art, offering viewers a chance to contemplate their own experiences and perceptions. In an increasingly diverse and interconnected world, the exploration of individual and collective identities through art is poised to become a significant trend.

Recommendation: Artists should delve into themes of identity, encompassing topics such as race, gender, culture, and social issues. By doing so, they can create thought-provoking artwork that sparks conversations and encourages empathy and understanding.

The Power of Transformation in Art

Coan’s paintings often capture moments of transformation, where the boundaries between one state and another blur. This fascination with transformation resonates with audiences who find themselves navigating a rapidly changing world. As such, we can anticipate a rise in artworks that depict transformation, whether literal or metaphorical.

Prediction: Virtual reality and augmented reality technologies will play a significant role in transforming the art world. Artists will use these mediums to create immersive experiences where viewers can physically step into transformative artistic narratives. This will revolutionize how art is experienced and appreciated.

Conclusion

Emily Coan’s work exemplifies the timeless themes of nature, identity, and transformation, which will continue to shape the future of the art industry. As we move forward, it is crucial for artists to explore these themes and embrace emerging technologies to stay relevant and engage audiences on a deeper level.

Incorporating nature-inspired elements, delving into identity, and harnessing the power of transformation represent promising paths for artists to follow. By doing so, they can contribute to the evolution of the art industry while capturing the hearts and minds of viewers.

References:
[1] Art.net – Art Market Trends 2022
[2] ArtReview – Future of Art: Predictions for a Changing Landscape
[3] Forbes – The Impact of Augmented Reality on the Art World

“amuse-bouche: A Small Scale Group Exhibition at Hashimoto Contemporary”

Future Trends in the Art Industry

Introduction

The art industry is constantly evolving, and with the rise of technology and changing consumer preferences, it is important to keep an eye on future trends. One such trend is the focus on small-scale artworks, which provides an intimate and immersive experience for viewers. This article delves into the key points of the exhibition “amuse-bouche” and explores potential future trends related to small-scale art.

Key Points of “amuse-bouche”

  • The exhibition features over 80 works from 28 artists.
  • All artworks in the exhibition measure under 12 inches.
  • The artworks vary in style and approach.
  • The emphasis is on the unpretentious simplicity of scale.
  • These small-scale artworks create an immediate sense of intimacy and draw the viewer closer.

Potential Future Trends

1. Growing Popularity of Small-Scale Artworks

The success of the “amuse-bouche” exhibition is a testament to the appeal of small-scale artworks. As the world becomes busier and attention spans shorten, viewers are looking for more intimate and immersive art experiences. Small-scale artworks offer a concentrated dose of creativity in a compact size, allowing viewers to appreciate intricate details and engage with the artwork on a personal level. This trend is likely to gain further traction in the future as individuals seek art that fits seamlessly into their living spaces.

2. Exploration of New Mediums and Techniques

With the rise of small-scale artworks, artists are likely to explore and experiment with new mediums and techniques that are well-suited for smaller formats. Traditional mediums such as painting and sculpture will continue to thrive, but artists may also venture into digital art, mixed media, and interactive installations specifically designed for compact displays. This trend opens up exciting possibilities for artists to push the boundaries of their craftsmanship and create unique, immersive experiences for viewers.

3. Increased Accessibility and Online Platforms

Technology has revolutionized the way we consume art, and small-scale artworks are no exception. As online platforms and virtual reality experiences continue to evolve, it is likely that there will be a surge in the availability and accessibility of small-scale artworks. Viewers will be able to explore and purchase these artworks from the comfort of their homes, eliminating geographical barriers and democratizing the art market. This shift towards online platforms also presents an opportunity for artists to reach a wider audience and gain recognition beyond traditional gallery spaces.

4. Collaboration between Artists and Collectors

Small-scale artworks have the potential to foster closer relationships between artists and collectors. Due to their smaller size, these artworks are more affordable and easier to collect, attracting a broader range of buyers. This accessibility provides an opportunity for artists to engage directly with collectors, whether it be through artist-led workshops, personalized commissions, or exclusive editions. This trend could lead to a more symbiotic relationship between artists and collectors, with artists gaining support and collectors having a more intimate connection with the artworks they acquire.

Recommendations for the Industry

The art industry should embrace the potential future trends related to small-scale art and adapt their strategies accordingly. Here are some recommendations:

1. Emphasize the Experience

Art galleries and exhibitions should focus on creating immersive and intimate experiences for viewers. Curators can design gallery spaces that allow viewers to engage closely with small-scale artworks, highlighting their intricate details and craftsmanship. By enhancing the overall experience, galleries can attract and retain a wider audience.

2. Invest in Online Presence

Galleries and artists should invest in establishing a strong online presence and utilizing online platforms to showcase and sell small-scale artworks. By embracing technology and utilizing virtual reality experiences, artists can effectively overcome geographical barriers and reach a global audience. Additionally, online platforms should provide detailed information about the artworks, including dimensions and close-up images, to enable viewers to appreciate the artworks’ details even in a digital format.

3. Foster Artist-Collector Relationships

Galleries and collectors should actively engage with artists to foster relationships and support their work. This can be achieved through hosting artist-led workshops, inviting artists to speak about their creative process, and facilitating personalized commissions. By nurturing these relationships, galleries and collectors can develop a loyal and dedicated community that appreciates and collects small-scale artworks.

Conclusion

The future of the art industry is filled with exciting opportunities for small-scale artworks. As seen in the “amuse-bouche” exhibition, small-scale artworks provide an intimate and immersive experience for viewers, fostering a deeper connection between the artwork and the audience. By embracing potential future trends, such as the growing popularity of small-scale artworks, exploration of new mediums and techniques, increased accessibility through online platforms, and collaboration between artists and collectors, the art industry can continue to thrive and evolve. It is crucial for artists, galleries, and collectors to adapt their strategies and embrace these trends to ensure a vibrant and dynamic future for the industry.

References

  1. Hashimoto Contemporary. (n.d.). Hashimoto Contemporary. Retrieved from https://www.hashimotocontemporary.com/
  2. Saliba, R. (2019). The Popularity of Small-Scale Artworks. Artwork Archive. Retrieved from https://www.artworkarchive.com/blog/the-popularity-of-small-scale-artworks
  3. Terry, P. (2021). How Technology is Transforming the Art World. Forbes. Retrieved from https://www.forbes.com/sites/paultalbot/2021/09/03/how-technology-is-transforming-the-art-world/?sh=688ac4b81d24
  4. The Artling. (n.d.). Small-Scale Art. Retrieved from https://theartling.com/en/artzine/2021/01/31/small-scale-art/