Theatre as a Place for Art: Exploring the Intersection of Performance and Visual Culture
Throughout history, the worlds of theatre and visual art have been intimately connected, influencing and inspiring each other in countless ways. From the grandeur of ancient Greek tragedies to the avant-garde experiments of the 20th century, artists have continually pushed the boundaries of what is possible when performance and visual aesthetics collide.
As we look to the future, it is clear that this intersection of disciplines will only continue to grow in importance. In a world where technology allows for endless possibilities in both fields, artists are finding new ways to create immersive and multi-sensory experiences that challenge our perceptions of space, time, and storytelling.
Art Basel 2025: A Showcase of Cutting-Edge Artistic Innovation
At Art Basel 2025, we will witness firsthand the ways in which contemporary artists are redefining the boundaries between theatre and visual art. Through a series of performances, installations, and interactive experiences, attendees will be invited to explore the ways in which these two worlds can come together to create something truly unique and powerful.
Join us as we delve into the rich history of this intersection, from the spectacular stage designs of the Baroque era to the immersive multimedia experiences of today. Together, we will celebrate the ways in which theatre has always been a place for art, and imagine the possibilities that lie ahead as these two disciplines continue to evolve and inspire each other.
Theatre as a Place for Art, Art Basel 2025 // June 19–22, 2025
In their 80th year, the Moomins (or Moomintroll, in the original Swedish) are enduringly beloved. Alongside other legends of children’s illustration, such as Dick Bruna’s Miffy, and Charles M Schulz’s Snoopy, the Moomins can be found on keyrings, mugs and t-shirts in gift shops all around the world. But this aestheticisation of the Moomin image is a relatively modern development. Tove Jansson’s original series has nine books, in addition to several picture books and comic strips, and in the years since, there have been a number of animated TV and film iterations of the Moomin story, including 2014’s Moomins on The Riviera (dir. Xavier Picard).
The simplicity of the Moomins’ design (they don’t have mouths or noses!), and the apparent quaintness of their stories, might deceive the casual observer into believing there is little depth in Jansson’s work, but a closer look reveals a great complexity in her storytelling, with none more perceptive to this complexity than Jansson’s child reader.
After Pictureville’s screening of Moomins on The Riviera on 23 May, a panel of Moomin experts from The Conversation discussed the cultural significance of Tove Jansson’s stories, and what they referred to as their ‘quietly radical’ politics. In particular, the panel explored what the Moomin stories tell us about displacement and the refugee experience—a discussion made all the more significant by its taking place in Bradford, a city whose past and present is inextricably tied to migration.
Tove Jansson in 1954. CC BY 4.0
The Moomins came into being in 1945, with Moomins and The Great Flood. It was the story of a mother (Moominmama) taking her child on the long and treacherous road to reunite with his father. By the end of World War Two, this was, of course, a familiar experience for many, with people all across Europe rendered refugees, and this was very much a part of Jansson’s own lived experience.
It seems that the Moomins’ story of displacement continues to find a resonance among modern refugee experiences. The young Moomin’s story allows children in 2025 to engage with the refugee experience as much as children in 1945. In this vein, Moomin artwork by Palestinian artist Basel Zaraa is being displayed in Bowling Park in Bradford throughout June, as part of Refugee Week.
At Pictureville’s panel, Professor Melanie Ramdarshan Bold emphasised what separates Moomins and The Great Flood from other children’s stories of displacement. She argued that Jansson’s storytelling decentres trauma and doesn’t expect ‘resilience’ of its child protagonist.
The panel felt that this story acknowledges the role of the mother in crisis, whose job is often to protect and safely transport a child, whilst the father is already in the new place, preparing their home (whatever that might look like). Dr Isabel Joley Black discussed how Moominmama’s incredible resourcefulness across all of the Moomin stories (and her seemingly Tardis-like handbag) is in equal parts a powerful, recognisable and hilarious image of motherhood.
Dr Steve Nash praised Jansson’s aversion to a neatly tied-up plot. This tendency—alongside an illustration style that asks for so much to be interpreted with just the eyes, as discussed by Amelia Huw Morgan—respects the intelligence of child readers, and asks them to meet the story halfway. They can think actively, as they read and laugh, and perhaps learn something along the way.
Though reviewers of Moomins on The Riviera debate how well the film serves the spirit of Jansson’s original stories, there are hints of these quietly radical politics within its farcical plot. We see Moominmama creating gardens wherever she can (including the sea!), in the hopes they can be enjoyed by any- and everyone, and at no monetary cost, which speaks to how she values nature and community.
Moomins on The Riviera presents a running joke in which the Moomins don’t understand that they are expected to produce money in exchange for the lavish things they’re offered. Their inability to understand money is endearing, but also quite representative of their way of life in Moominvalley—where community, kindness and sharing make such things redundant.
At the panel, Amelia Huw Morgan drew attention to the moment Moominmama and Moominpapa are asked, “You are not rich?” to which Moominmama replies “Not in the way you understand it.” She believed this tapped into the heart of what the Moomins are about. They’ve known struggle, and their lives are simple, but they are rich in happiness, rich in family and community, and rich in love.
Title: The Future Trends in the Asian Art Auction Market
Introduction:
The Asian art auction market has seen significant growth and development in recent years. With the opening of Christie’s new Asia headquarters in Hong Kong, there is a growing interest in the potential future trends in this market. This article will analyze the key points from recent auction sales and provide predictions and recommendations for the industry.
1. Responsibly Priced Works for the Asian Market:
Despite some challenges in sourcing, Christie’s Asia Pacific president, Francis Belin, described the recent evening sales as “robust.” The works on offer were “responsibly priced for this market,” indicating a sophisticated approach to pricing strategies. The sustained appetite for top masterpieces in Asia suggests that collectors are eager to invest in high-quality artworks.
Prediction: To cater to the Asian market, auction houses should continue to focus on pricing works responsibly while ensuring they include top-tier masterpieces. This approach will attract discerning collectors and maintain a strong demand for high-quality art.
2. Strong Demand for Blue-Chip Artists:
The recent auction sales demonstrated a preference among Asian collectors for safe and blue-chip artists. Collectors are more conservative and selective in their purchases, opting for fewer pieces but of the best quality. This trend aligns with the economic slowdown in China and a desire for less risky investments.
Prediction: Auction houses should prioritize blue-chip artists and safe investment options to meet the demand of cautious Asian collectors. They should aim to curate auction catalogs that include renowned artists with proven track records and guarantee the authenticity and quality of the artworks.
3. Continued Interest in Asian Masters:
Works by Asian masters, such as Taiwanese artist Ju Ming and Korean Dansaekhwa artists, performed well in recent sales. This indicates a strong demand within the Asian market for artworks by regional artists. Additionally, works by late abstract painter Zao Wou-Ki generated interest but at lower prices.
Prediction: Auction houses should continue to highlight the works of Asian masters to cater to the increasing interest of Asian collectors. Promoting regional artists and investing in research and education to build awareness will stimulate demand for these artists’ works.
Recommendations for the Industry:
1. Enhance Sourcing Efforts: To meet the demand of the Asian market, auction houses should invest in sourcing high-quality artworks that resonate with collectors’ tastes. Developing strong relationships with artists, collectors, and galleries will enable auction houses to curate catalogs that appeal to Asian collectors.
2. Embrace Technology and Online Platforms: As the Asian art market continues to grow, auction houses should leverage technology and online platforms to expand their reach and engage with a broader audience. Online bidding options and virtual previews will attract new collectors and meet the preferences of the tech-savvy generation.
3. Foster Education and Research: Providing educational resources and conducting research on Asian artists and art movements will deepen collectors’ understanding and appreciation of regional art. Auction houses can organize seminars, exhibitions, and online resources to build knowledge and confidence among collectors.
Conclusion:
The Asian art auction market shows great potential for growth and development. By pricing works responsibly, prioritizing blue-chip artists, and promoting regional artists, auction houses can meet the evolving demands of Asian collectors. Embracing technology and fostering education will further enhance the market’s expansion. With these strategies, the Asian art auction market is poised for a prosperous future.
References:
1. Roberts, K. (2022, March 18). Christie’s Asia Sees Solid Results at Second Evening Sale in HK Auctions’ New Headquarters. ARTnews. Retrieved from https://www.artnews.com/art-news/market/christies-asia-evening-sale-results-1234627562/
Future Trends and Predictions: How Trade Tariffs Are Shaping the Art Market
The imposition of widespread tariffs by President Donald Trump on Canada, Mexico, and China has sent shockwaves throughout the art world. This trade war has disrupted the operations of gallerists, museum directors, art fair directors, and art shippers, forcing them to grapple with the impact of tariffs on future sales and acquisitions. The increased costs, complexities, and uncertainties associated with selling, transporting, and exhibiting art have marked a significant shift in the art market landscape.
Effects on Sales and Acquisitions
One of the immediate consequences of these tariffs is a decline in sales, as buyers become hesitant to make purchases due to increased costs. The director of Gander & White New York, Francis Petit, believes that these tariffs will not be conducive to sales, as potential buyers will be less willing to invest in art.
Moreover, the art industry is now facing taxes that have never been imposed in this sector before, according to Mia Nielsen, director of Art Toronto. This adds an additional burden to the already complicated process of selling and transporting artworks.
Impact on International Art Fairs
Art fairs, such as Art Basel Hong Kong, Independent, and Frieze New York, play a crucial role in the art market. However, the implementation of tariffs has created uncertainty for galleries that spend months planning their participation in these events. The new tariffs have led gallerists to reconsider their strategy and potentially limit the artists they showcase. Daniel Faria, from Daniel Faria Gallery, is still navigating how to adjust his operations, questioning whether he should focus on European artists to mitigate the impact of tariffs.
Rising Import Costs and Challenges
The tariffs have resulted in higher import costs and created challenges for art professionals. These costs affect not only the price of artworks but also the shipping and transportation of art supplies, including lumber for art crates and stretcher bars. The large import and export volumes between Canada, Mexico, and the US, especially in lumber, crude oil, and motor vehicle parts, are expected to increase art shipping and transportation prices.
Weakening Foreign Exchange Rates
The tariffs have also exacerbated the challenges caused by weak foreign exchange rates for Canadian dollars and Mexican pesos. The increased costs due to tariffs, compounded by unfavorable exchange rates, make it even more difficult for art professionals to navigate the international art market.
Shift in Consumer Behavior and Alliances
As a result of the trade war and the tariffs, there is an emerging shift in consumer behavior, with campaigns in Canada urging citizens to avoid buying American products and traveling to the US. Buyers are becoming less inclined to purchase American art or attend American art fairs. This trend is expected to continue, leading to changes in the global art market landscape.
Furthermore, these tariffs may foster new alliances and collaborations as art professionals seek alternatives to the US art market. Efforts are already underway to reduce dependence on the US art market and explore opportunities to connect with other countries, such as Canada’s engagement with Mexico City’s art market.
Promising Opportunities for Canadian and Mexican Artists
Despite the challenges posed by the tariffs, one potential positive outcome is the increased attention and recognition for Canadian and Mexican artists. The tariffs may encourage a greater emphasis on showcasing the works of these artists domestically and internationally. Their artwork presents a favorable value proposition compared to their US counterparts due to the reasonable pricing.
Conclusion and Recommendations: Navigating the Turbulent Art Market
The art market is currently facing unprecedented challenges due to the imposition of trade tariffs. To navigate this turbulent landscape, art professionals should consider the following recommendations:
Stay updated: Keep track of changes in trade policies, tariffs, and exemptions to understand their impact on the art market.
Diversify markets: Explore opportunities in alternative markets and foster collaborations with countries less affected by trade tariffs.
Focus on local talent: Highlight the works of local artists to attract buyers who are seeking affordable and unique pieces.
Optimize logistics: Find cost-effective shipping and transportation solutions, considering the rise in import costs and potential delays.
Create tailored marketing strategies: Adapt marketing strategies to address the changing consumer behavior and preferences.
The art market’s future remains uncertain, as the trade war continues to unfold. However, by staying agile and proactive, art professionals can weather the storm and find new opportunities amidst the challenges.
Thematic Preface: Miami Beach Art Fairs - A Kaleidoscope of Creative Expression
Introduction
The world of contemporary art continuously evolves, embracing new mediums, forms, and styles that challenge traditional artistic boundaries. One annual event that epitomizes this spirit of innovation is the art fair, a gathering of galleries, artists, collectors, and art enthusiasts, showcasing a diverse range of artistic expressions. Miami Beach, renowned for its vibrant culture and stunning beaches, has become a hub for these art fairs, attracting participants from around the globe.
A Global Phenomenon
Miami Beach's rise as an art fair destination can be traced back to the 1970s when Art Basel, the premier international art fair, chose the city as its American host. This momentous decision not only solidified Miami Beach's position within the global art scene but also paved the way for other influential art fairs such as Art Miami, Scope, and Untitled, to name just a few.
Over the years, the Miami Beach art fairs have grown exponentially, capturing the attention of artists, collectors, and cultural enthusiasts worldwide. These events provide a platform for both established and emerging artists to showcase their work, fostering a dynamic exchange that transcends borders and promotes diversity and inclusivity.
A Kaleidoscope of Creativity
From spacious white tents lining the iconic Collins Avenue to pop-up galleries in South Beach's enchanting historic district, Miami Beach's art fairs offer a kaleidoscope of creative expression. Visitors are immersed in a sensory overload of colors, forms, and ideas, encountering a myriad of artistic disciplines spanning painting, sculpture, photography, performance art, and digital installations.
Unlike a traditional gallery setting, where art is often presented behind pristine walls, the interactive nature of art fairs allows visitors to interact directly with the artists and their work. The bustling energy of the fairs, combined with the array of cultural events, panel discussions, and performances, creates a truly immersive experience that invigorates the senses and fosters a deeper understanding and appreciation of contemporary art.
Conclusion
As I wandered through the captivating world of Miami Beach's art fairs, I observed the transformative power of art in action. The fairs serve as not only a marketplace for artistic endeavors but also as a catalyst for dialogue, intellectual exchange, and societal reflection. By embracing art fairs, Miami Beach has forged a unique identity, where tradition and innovation converge to create a dynamic cultural landscape.
"Art is not what you see, but what you make others see." - Edgar Degas
In short, I spent around 16 hours in Miami Beach, going from fair to fair to write articles
