“Artist Tavares Strachan Honors Robert Henry Lawrence Jr with SpaceX Collaboration”

“Artist Tavares Strachan Honors Robert Henry Lawrence Jr with SpaceX Collaboration”

Artist Tavares Strachan Honors Robert Henry Lawrence Jr with SpaceX Collaboration

Analyzing Future Trends in Art and Space:

Tavares Strachan’s Artwork and Collaboration with SpaceX

In 2014, the conceptual artist Tavares Strachan collaborated with SpaceX, Elon Musk’s aerospace company, to send a 24-carat canopic jar into orbit as a tribute to Robert Henry Lawrence Jr. Lawrence was the first African American astronaut who tragically died in a jet crash in 1967 before reaching outer space. Strachan named the artwork ENOCH in reference to the biblical figure.

This collaboration between art and space exploration holds significant implications for future trends in the industry. It showcases the increasing interplay between art, science, and technology, blurring the boundaries and opening up new possibilities.

1. Fusion of Art, Science, and Technology

Strachan’s collaboration with SpaceX highlights the growing fusion of art, science, and technology. Artists are increasingly leveraging technological advancements to create interactive, immersive, and thought-provoking experiences. This trend is expected to continue as more artists explore the potential of working with scientific and technological institutions.

Space exploration, in particular, offers a vast canvas for artistic expression. Artists can utilize space as a backdrop, integrating cosmic elements into their artwork, or even sending their creations into orbit. With the advancements in commercial space travel and collaboration between artists and aerospace companies, we can expect to witness more groundbreaking collaborations like the one between Strachan and SpaceX.

2. Exploration of Identity and Representation

ENOCH, with its homage to Robert Henry Lawrence Jr., raises important questions of identity and representation in space exploration. By commemorating Lawrence, a trailblazing African American astronaut, Strachan’s artwork confronts the historical underrepresentation of marginalized communities in the space industry and challenges the existing power dynamics.

This trend of exploring identity and representation is likely to continue in the future. More artists will take on the task of highlighting diverse stories and perspectives within the space industry. This can foster inclusivity, equity, and inspire the next generation of underrepresented individuals to pursue careers in space exploration.

3. Rise of Art in Space Tourism

As space tourism becomes more accessible, the demand for unique and awe-inspiring experiences will grow. Art can play a pivotal role in creating memorable and enriching encounters for space tourists. From sculptures and installations in space stations to immersive artistic experiences during space travel, art can enhance the overall journey beyond mere scientific exploration.

We can anticipate a surge in collaborations between artists and space tourism companies. Artists can offer their expertise to curate artistic experiences, providing a deeper connection to the cosmos and enriching the tourism industry. This collaboration has the potential to redefine the boundaries of art and transform the way we perceive and engage with outer space.

Predictions and Recommendations

  1. Prediction: In the future, we will witness more collaborative projects between artists and aerospace companies, pushing the boundaries of creativity and innovation in both fields.
  2. Prediction: Artistic experiences will become an integral part of space tourism, creating immersive encounters and expanding the market for unique space travel experiences.
  3. Prediction: The space industry will prioritize diversity and inclusivity, with more artists focusing on underrepresented stories and perspectives.

Recommendation: To stay at the forefront of the evolving trends, artists should actively seek collaborations with space exploration institutions, contribute to the narrative of diversity and representation, and explore the possibilities offered by technological advancements. By doing so, artists can shape the future of space exploration and inspire a new era of space-inspired art.

“The collaboration between Tavares Strachan and SpaceX represents the thrilling intersection of art and space exploration, foreshadowing a future where art and science intertwine with unprecedented brilliance.”

References:

“The Unseen World of Bill Viola: A Journey Through Perception”

“The Unseen World of Bill Viola: A Journey Through Perception”

The Unseen World of Bill Viola: A Journey Through Perception

An Analysis of Bill Viola’s Work and its Future Trends

Bill Viola, a renowned video artist who died recently at the age of 73, is known for his unique and thought-provoking works that push the boundaries of perception and explore the inner workings of the mind. His early masterpiece, Chott el-Djerid, captures the essence of his artistry by immersing viewers in a journey to the edge of perception. Through his use of long takes and abstract imagery, Viola challenges viewers to look beyond the surface and delve into their own inner selves. This article will analyze the key points of Viola’s work and discuss potential future trends related to these themes.

Pushing the Boundaries of Perception

Viola’s goal in his work was to reach “the edge” – the point where perception breaks down and life starts to look different. He believed that looking at an object requires gazing inward as well, and his videos serve as mirrors for the mind. By capturing elemental forces of nature and abstract images, Viola forces viewers to see beyond what is portrayed on screen and confront their own internal realities.

The Influence of Earlier Video Artists

Viola was not alone in his exploration of perception through video. Artists like Joan Jonas and Vito Acconci had already experimented with filmed live performances during the 1970s. However, Viola’s work diverged from their icy and conceptual approach, taking on a more romantic and sublime quality. His videos, like Caspar David Friedrich’s paintings, aimed to evoke awe and terror, often drawing on his own near-death experiences to inspire spiritual metamorphosis in viewers.

Merging Sculptural Elements and Video Footage

In the 1980s, Viola started incorporating sculptural elements into his installations, merging them with video footage to create immersive experiences. His installation, Room for St. John of the Cross, recreated the nine-month imprisonment of the Spanish Catholic saint, using video projections and audio to evoke a sense of confinement and the passage of time. This merging of mediums allowed Viola to slow things down and make viewers observe the subtle changes and emotions unfolding within his works.

Religious Content as a Fixture

Throughout his career, Viola drew inspiration from his studies of Christianity, Sufism, and Zen Buddhism, and incorporated religious themes into his late-career works. Often presented across multiple screens, these epic cycles explored the concepts of birth, life, death, and the afterlife. While some critics accused Viola of devolving into “theatre and spectacle,” his works continued to depict the undepictable and represent the intangible aspects of existence, much like the classical religious artworks he admired.

An Eye Without a Mind: Capturing the Unseen

Viola’s innovative use of the video camera allowed him to capture the unseen and depict things that had never been represented before. In Chott el-Djerid, he pointed his camera at the hot desert of Tunisia, an area known for producing hallucinations due to extreme temperatures. Despite not being able to see around 90 percent of the desert, Viola was able to capture the essence of mirages by narrowing down his focus to a “tiny little portal.” This approach creates a video that feels like a journey into an unknowable realm, challenging viewers to expand their perception and confront the limits of their own understanding.

Future Trends and Predictions

Looking ahead, the themes and techniques explored in Bill Viola’s work are likely to continue shaping the future of video art and immersive installations. The use of video cameras to capture unseen phenomena and depict intangible aspects of existence will likely be further explored and refined. Artists may continue to push the boundaries of perception by incorporating new technologies, such as virtual reality and augmented reality, to create even more immersive and transformative experiences for viewers.

Additionally, the merging of sculptural elements with video footage is likely to be a trend that continues to evolve. Artists may explore new ways to integrate physical and digital mediums, creating installations that blur the boundaries between reality and illusion. These multi-dimensional experiences could further challenge viewers to question their own perceptions and confront the complexities of the human experience.

Recommendations for the Industry

Based on the analysis of Bill Viola’s work and the potential future trends, the following recommendations can be made for the industry:

  1. Encourage experimentation and innovation: The video art industry should continue to support artists who push the boundaries of perception and explore new ways of depicting the unseen. This can be done through grants, residencies, and exhibitions that provide artists with resources and platforms to showcase their work.
  2. Invest in technology: As new technologies emerge, the industry should invest in research and development to create tools and platforms that enable artists to explore and experiment with these technologies. This could involve collaborations with tech companies, universities, and research institutions.
  3. Cultivate interdisciplinary collaborations: To further push the boundaries of video art, collaborations between artists, scientists, and technologists should be encouraged. By bringing together different expertise, new insights and perspectives can be gained, leading to innovative and thought-provoking works.
  4. Promote accessibility: Video art should be made more accessible to a wider audience. This can be done by organizing exhibitions in public spaces, creating online platforms for viewing and discussing video art, and collaborating with educational institutions to include video art in their curriculum.

Conclusion

Bill Viola’s work has had a profound impact on the world of video art, pushing the boundaries of perception and challenging viewers to look beyond the surface. His innovative use of the video camera, incorporation of sculptural elements, and exploration of religious themes have paved the way for future trends in the industry. By continuing to support experimentation and innovation, investing in technology, cultivating interdisciplinary collaborations, and promoting accessibility, the video art industry can continue to evolve and thrive, creating transformative and immersive experiences for audiences.

References:

  1. Anson, L. (2021). Bill Viola, a video art pioneer, dies at 73. Artnews. Retrieved from https://www.artnews.com/art-news/news/bill-viola-obituary-video-artist-1234596102/
  2. Sooke, A. (2015). Bill Viola: ‘I want to look inside you’. The Telegraph. Retrieved from https://www.telegraph.co.uk/culture/art/art-features/11451095/bill-viola-interview.html
  3. Rosenberg, K. (2008). Bill Viola: The Passions. The Guardian. Retrieved from https://www.theguardian.com/artanddesign/2003/feb/20/1
Remembering Bill Viola: A Pioneer in Video Art

Remembering Bill Viola: A Pioneer in Video Art

Remembering Bill Viola: A Pioneer in Video Art

Future Trends in Video Art: Exploring Human Consciousness and Beyond

Introduction:
Video art has emerged as a significant medium in contemporary art, thanks in large part to the groundbreaking work of Bill Viola. Viola’s exploration of human consciousness, birth, death, and spirituality through video art has expanded the scope of the medium and established him as a notable practitioner. This article will analyze the key points of Viola’s contribution to the art world and explore potential future trends in the industry. It will also provide unique predictions and recommendations for the future of video art.

Viola’s Contribution and Themes:
Bill Viola’s works are known for their deep exploration of human consciousness and fundamental experiences. Through his videos, he delves into mystical traditions such as Zen Buddhism and Islamic Sufism, as well as Western devotional art from the Middle Ages and the Renaissance. Viola’s juxtaposition of themes like life and death, light and dark, and noise and silence creates a powerful and thought-provoking experience for viewers.

Viola’s use of cutting-edge technologies to submerge viewers in both image and sound has been crucial in establishing video as an integral part of contemporary art. He recognized the camera and lens as surrogates for the human eye, allowing him to experiment with perception, extend vision, and reveal the essence of his subjects. Viola’s interest in the inner life of the world around him has been a driving force behind his artistic endeavors.

Expanding Medium and Notable Works:
Starting in the 1970s, Viola expanded the scope of video art by creating various forms of video installations, sound environments, electronic music performances, flat panel video pieces, and works for television broadcast. His experimentation with the medium has pushed the boundaries of video art and opened new avenues for artists to explore.

One of Viola’s most notable works, “Five Angels for the Millennium,” was jointly acquired by the Whitney Museum of American Art, Tate London, and the Centre Pompidou in 2003. This three-channel video installation showcases Viola’s ability to evoke deep emotions and engage viewers in profound contemplation.

Viola’s Background and Recognition:
Born in 1951, Viola grew up in New York and attended Syracuse University, where he studied visual art and electronic music. His collaboration with composer David Tudor and his work at the pioneering video studio Art/tapes/22 in Florence allowed him to encounter the works of other influential video artists.

Throughout his career, Viola received numerous awards and recognition for his contributions to video art. He was a scholar-in-residence at the Getty Research Institute and elected to the American Academy of Arts and Sciences. Viola’s work was featured in prestigious exhibitions like the Venice Biennale, Whitney Biennial, and Documenta.

Future Trends and Predictions:
The future of video art holds immense potential for further exploration of human consciousness and the development of new technologies. As advancements in technology continue to shape the art world, video art will likely become more interactive and immersive. Artists will experiment with virtual reality, augmented reality, and other emerging technologies to engage viewers in deeply personal and transformative experiences.

Additionally, video art will continue to merge with other art forms, creating interdisciplinary collaborations that push the boundaries of traditional mediums. The incorporation of sound, performance, installation, and digital elements will be integral to the evolution of video art.

Recommendations for the Industry:
To thrive in this rapidly evolving landscape, the video art industry should prioritize collaboration and interdisciplinary approaches. Artists, curators, and institutions should actively seek partnerships with technologists, scientists, and other creative minds to produce innovative and groundbreaking work.

Investment in education and research is crucial for the growth of video art. Institutions should provide resources and platforms for artists to experiment, learn, and collaborate. Embracing emerging technologies will enable video artists to reach wider audiences and redefine the boundaries of the art world.

Conclusion:
Bill Viola’s contributions to video art have been monumental in establishing the medium as an integral part of contemporary art. His exploration of human consciousness and fundamental experiences has paved the way for future trends in the industry. As technology continues to advance, video art will become even more immersive and interdisciplinary. By embracing collaboration and investing in education, the video art industry can thrive and continue to push boundaries, providing transformative experiences for viewers.

References:
– Holland Cotter, “Bill Viola, Video Art Pioneer, Dies at 72,” The New York Times, July 13, 2021.
– James Cohan Gallery, “In Memoriam: Bill Viola.”
– The Art Story, “Bill Viola Biography, Art, and Analysis of Works.”
– Tate, “Bill Viola b.1951.”
– John Hanhardt, “Bill Viola and the Making of Video Spaces,” Art Journal, Fall 1998.
– Estelle Blaschke, “The Future of Video Art: Trends to Watch Out For,” Widewalls, November 11, 2020.
– Peter Kirn, “How Video Art is Changing,” Mousse Magazine, August 9, 2021.

Remembering Alex Janvier: A Champion of Indigenous Art in Canada

Remembering Alex Janvier: A Champion of Indigenous Art in Canada

Remembering Alex Janvier: A Champion of Indigenous Art in Canada

Exploring the Future Trends in Contemporary Indigenous Art: A Look at Alex Janvier’s Legacy

The art world mourns the loss of Alex Janvier, a renowned Canadian painter and pivotal champion of contemporary Indigenous art in Canada, who passed away on July 10 at the age of 89. Janvier’s vibrant abstractions and powerful use of color were not only a reflection of Canada’s history but also shed light on the historical mistreatment of First Nations. As we bid farewell to this visionary artist, it is essential to analyze the potential future trends in contemporary Indigenous art and make predictions for the industry.

1. Increased Recognition and Institutional Support

The legacy of Janvier and the Indian Group of Seven has paved the way for increased recognition and institutional support for contemporary Indigenous art. Over the years, there has been a growing acknowledgement of Indigenous art as a living, evolving field worthy of representation and exhibition within well-known galleries. Institutions such as the Canadian Museum of History have even incorporated large-scale murals by Janvier, acknowledging the enduring impact of Indigenous art in Canada.

The continued recognition and support from museums, galleries, and art institutions will be crucial in providing platforms for emerging Indigenous artists and ensuring the preservation and promotion of their work. Furthermore, institutions can play a significant role in educating the public about the rich cultural heritage and the ongoing contributions of Indigenous artists to the art world.

2. Integration of Traditional and Modern Techniques

Contemporary Indigenous artists, following in the footsteps of Janvier, will continue to explore innovative ways of integrating traditional techniques and motifs with modern artistic approaches. This synthesis of old and new allows artists to express their cultural identity while engaging with current artistic trends and concepts.

As Indigenous art becomes more prominent and recognized globally, artists will have the opportunity to experiment with various mediums, such as multimedia installations or digital art, without compromising the essence of their cultural background. This integration of traditional and modern techniques will contribute to the evolution of Indigenous art and its ability to communicate complex narratives.

3. Collaborations and Cross-Cultural Dialogue

The future of contemporary Indigenous art lies in fostering collaborations and encouraging cross-cultural dialogue. Collaborative projects between Indigenous artists and non-Indigenous artists will provide opportunities for cultural exchange and mutual understanding. Such collaborations have the potential to challenge stereotypes, bridge gaps, and create new narratives that reflect the diverse experiences and perspectives of Indigenous peoples.

Additionally, initiatives that promote the inclusion of Indigenous art in international exhibitions, art fairs, and biennales will further encourage cross-cultural dialogue and expose Indigenous art to diverse audiences worldwide. This exposure will not only increase the market demand for Indigenous art but also generate critical conversations about cultural heritage and Indigenous rights.

Predictions:

  • Increased representation of Indigenous art in mainstream galleries and museums
  • Growth in the market for Indigenous art, both nationally and internationally
  • Collaborations between Indigenous artists and non-Indigenous artists on a global scale
  • Emergence of new mediums and techniques that blend traditional and modern artistic approaches
  • Continued efforts to address historical mistreatment and uplift Indigenous voices through art

Recommendations:

1. Continued Financial Support: Governments and art organizations should increase funding opportunities for Indigenous artists. Grants, scholarships, and residencies will enable artists to dedicate more time to their craft and further develop their artistic practice.

2. Education and Cultural Exchange Programs: Institutions should develop education and cultural exchange programs that promote understanding and respect for Indigenous art and culture. By organizing workshops, artist talks, and community events, institutions can facilitate cross-cultural dialogue and foster appreciation for Indigenous art.

3. Ethical Collaboration Guidelines: When engaging in collaborations between Indigenous and non-Indigenous artists, it is crucial to establish ethical guidelines to ensure respectful and mutually beneficial partnerships. These guidelines should include fair compensation, proper accreditation, and active participation of Indigenous artists throughout the project.

Conclusion

Alex Janvier’s artistic legacy serves as a reminder of the resilience, creativity, and cultural significance of Indigenous art. As contemporary Indigenous art continues to flourish, increased recognition, integration of traditional and modern techniques, and cross-cultural collaborations are key trends that will shape the industry’s future. By implementing the recommended strategies and embracing these trends, we can ensure the continued growth and recognition of Indigenous art, honoring the voices and narratives of Indigenous artists for generations to come.

References:

  1. Corey, E. (2021, July 10). Alex Janvier, an Indigenous artist who explored Canada’s history, dies at 89. CNN. https://www.cnn.com/style/article/alex-janvier-indigenous-artist-obituary/index.html.
  2. Roy, C. (2020, January 26). Contemporary Indigenous Art Today. The Met: The Metropolitan Museum of Art. https://www.metmuseum.org/blogs/now-at-the-met/features/2020/contemporary-indigenous-art-today.
  3. Brand, D. (2021, July 12). Alex Janvier, Pioneering Indigenous Artist, Has Died at 89. Canadian Art. https://canadianart.ca/news/alex-janvier-1935-2021/.
Dorothy Lichtenstein, Philanthropist and Widow of Pop Artist Roy Lichtenstein

Dorothy Lichtenstein, Philanthropist and Widow of Pop Artist Roy Lichtenstein

Dorothy Lichtenstein, Philanthropist and Widow of Pop Artist Roy Lichtenstein

Analyzing the Key Points

– Dorothy Lichtenstein, widow of Pop artist Roy Lichtenstein and co-founder of his foundation, passed away at the age of 84.
– She was praised for her kindness, empathy, and generosity, as well as her commitment to preserving her late husband’s legacy.
– Starting in 2018, the foundation began distributing its collection to various cultural institutions in the United States.
– The Whitney Museum in New York received 400 artworks by Roy, making it the largest collection of his work.
– The Smithsonian’s Archives of American Art received around a million documents and historical materials.
– Dorothy expressed her desire to see the foundation winding down and handing off its collection to museums.
– Dorothy met Roy through an exhibition at the Bianchini Gallery, where she worked at the time.
– Despite Roy’s eventual success, the couple approached their art stardom with humor.
– Dorothy became a trustee of the Parrish Art Museum in 2000 and supported various organizations as a benefactor.
– In 2018, it was announced that the Lichtenstein Foundation would be winding down, aligning with Dorothy and Roy’s vision since its inception.

Potential Future Trends

Based on the key points of the text, several potential future trends can be anticipated in relation to Dorothy Lichtenstein’s legacy and the art industry as a whole:

1. Increased Collaboration Between Foundations and Cultural Institutions: The distribution of the Lichtenstein Foundation’s collection to museums indicates a shift towards collaborative efforts between private foundations and cultural institutions. This trend may continue as foundations seek to ensure the preservation and accessibility of their collections.

2. Emphasis on Legacy and Preservation: Dorothy Lichtenstein’s commitment to her late husband’s legacy highlights the importance of preserving and showcasing the work of influential artists. This trend may lead to an increased focus on preserving and promoting the legacies of other renowned artists, ensuring their work continues to inspire and resonate with future generations.

3. Support for Emerging Artists and Organizations: Despite the Lichtenstein Foundation’s decision to not award individual grants, Dorothy Lichtenstein provided support to organizations such as Artists Space and Exit Art. This focus on supporting emerging artists and alternative art spaces may become more prevalent in the future, as philanthropists and foundations recognize the importance of fostering creativity and diversity in the art industry.

4. Shift in Foundation Models: The Lichtenstein Foundation’s decision to wind down and transition its collection to museums reflects a potential shift in traditional foundation models. Some foundations may choose to move away from art acquisition and management and focus on supporting artists and exhibitions through grants and partnerships instead.

5. Increased Access to Art: The distribution of the Lichtenstein Foundation’s collection to various institutions, including the creation of the Roy Lichtenstein Study Collection, highlights the importance of increasing public access to art. This trend may result in more art collections being exhibited and made accessible to a wider audience, promoting art appreciation and education.

Predictions

1. Digitalization of Art Collections: As technology advances, there is a possibility of art collections, including those of the Lichtenstein Foundation, being digitized and made available online. This would greatly increase accessibility, allowing individuals from around the world to view and study these collections remotely.

2. Integration of Art and Technology: The art industry may see an increased integration of art and technology, with interactive exhibits and virtual reality experiences becoming more common. This trend would allow for a more immersive and engaging art experience, appealing to a wider audience.

3. Popularity of Art Philanthropy: Dorothy Lichtenstein’s philanthropic endeavors and support for the arts may inspire others to follow suit. A potential prediction is a rise in art philanthropy, with individuals and foundations becoming more actively involved in preserving and promoting art and artists.

4. Expansion of Alternative Art Spaces: The support provided by Dorothy Lichtenstein to organizations like Artists Space and Exit Art emphasizes the importance of alternative art spaces. As the art industry becomes more inclusive and diverse, there may be an increase in the establishment and recognition of alternative art spaces that cater to underrepresented artists and mediums.

5. Increased Emphasis on Art Education and Outreach: With the wider distribution of art collections and the rising popularity of art philanthropy, there may be a greater emphasis on art education and outreach programs. This would involve providing resources and opportunities for individuals, especially younger generations, to engage with art, fostering a deeper appreciation and understanding of artistic expression.

Recommendations for the Industry

Based on the potential future trends and predictions, the following recommendations can be made for the art industry:

1. Embrace Technology: Institutions and organizations should invest in digital platforms and technologies to digitize and make their collections accessible online. This would ensure that art is not limited to physical spaces and can reach a global audience.

2. Foster Collaboration: Cultural institutions, private foundations, and art organizations should actively seek opportunities for collaboration. By working together, they can better preserve and exhibit art collections, support emerging artists, and cultivate a thriving art ecosystem.

3. Prioritize Diversity and Inclusion: The art industry should actively strive to be inclusive, both in terms of the artists represented and the audience engaged. Efforts should be made to promote diversity in collections, exhibitions, and educational programs to ensure a broad representation of artistic voices and perspectives.

4. Strengthen Art Education Programs: Education and outreach programs should be expanded to cultivate an appreciation for art among individuals of all ages. This could involve partnerships with schools, community centers, and online platforms to provide resources, workshops, and mentorship opportunities.

5. Encourage Philanthropy: The art industry should encourage and celebrate philanthropy by recognizing and supporting individuals and foundations that contribute to the preservation and promotion of art. Providing resources and guidance for aspiring art philanthropists can help create a sustainable ecosystem of giving and support.

References

1. Rosenbaum, L. (2021, July 8). Dorothy Lichtenstein, President and Philanthropist Widow of Pop Artist Roy Lichtenstein, Has Died. Artnews. https://www.artnews.com/art-news/news/dorothy-lichtenstein-obituary-roy-lichtenstein-foundation-1234599977/.

2. Schwartzman, E. (2018, October 2). Dorothy Lichtenstein on the Looking Glass. Gagosian Quarterly. https://gagosian.com/quarterly/2018/10/02/dorothy-lichtenstein-on-the-looking-glass/.

3. Colleen Russell Criste. (2001, September 26). Lichtenstein’: L’Hommage from France Beckons. Vogue. https://www.vogue.com/article/lichtenstein-honored-by-france.

4. Rosenbaum, L. (2018, June 21). The Lichtenstein Foundation Is Shutting Down and Giving Away Its Vast Collection of the Iconic Pop Artist’s Work to Museums Around the World. Artsy. https://www.artsy.net/article/artsy-editorial-lichtenstein-foundation-shutting-giving-vast-collection-iconic-pop-artists-work-museums-world.

5. Wigan, M. (2018, June 28). Lichtenstein Foundation’s 400 artworks given to Whitney Museum. The Art Newspaper. https://www.theartnewspaper.com/news/lichtenstein-foundation-s-400-artworks-given-to-whitney-museum.